A Small Egyptian Plumb Bob, Read Through Its Catalogue Record

Imaginary turquoise beads and a small glazed form on a sandy paper surface
AI-generated imaginary objects, not photographs of genuine artifacts or ancient inscriptions.

An ancient tool does not need an elaborate scene painted on it to invite careful reading. A small object catalogued as a plumb bob offers a compact exercise: follow the museum’s fields, identify what they document, and resist filling the remaining gaps with a complete workshop story.

Give the object a precise reference

The Metropolitan Museum of Art’s record for object 15.3.629 identifies a plumb bob made of travertine, also described there as Egyptian alabaster. Its recorded height is 5.3 cm. The catalogue places it in the Ramesside period, Dynasties 19–20, around 1300–1080 BCE.

Put the object number in your note before paraphrasing the title. It provides a stable reference for returning to the record, even if you later collect several examples of tools with similar names. The general illustration accompanying this article is not a photograph of this specific object.

Keep the excavation date apart from the ancient date

The entry gives the find context as the cemetery at Lisht North, in Egypt’s Memphite Region, and associates it with the museum’s 1913–14 excavations. Its credit line is Rogers Fund, 1915. These dates belong to different parts of the object’s record; neither should replace the ancient date range.

An effective exercise is to write three labels before copying any numbers: ancient attribution, excavation, and credit line. If you later discuss how the object entered a collection, check the provenance details rather than treating a credit-line year as a complete acquisition narrative.

Let the missing story remain a question

The short entry does not name an individual user or describe a specific building project. A tool name can suggest questions about work, but it does not supply a biography. You can ask what comparison material or excavation publication might help without pretending to have already read it.

Pair this with our note on reading an ancient date range. A concise object study can end with a well-framed question: what evidence would connect this particular tool with a particular working setting? That keeps curiosity active while leaving the documented facts intact.